This series explores the quiet ways the world mirrors itself—how roots resemble wires, how driftwood and bone echo the shapes of antennas and circuits. It reflects on the subtle ties between nature and technology, the visible and the hidden.

Rooted in the Hermetic axiom as above, so below, the work traces the unseen systems that connect human and non-human life: emotional, ecological, and digital infrastructures that shape how we live and remember.

I use materials gathered from shorelines, sidewalks, and domestic spaces—horseshoe crab shells, circuit boards, driftwood, cords, and yarn. I bind them together by hand, wrapping and weaving until each object becomes a kind of reliquary: a small shrine to what’s been lost, discarded, or overlooked.

The sculptures act as sites of transmission and transformation. Natural remnants merge with technological debris to form vessels that hold both memory and residue. Some hang in webs like offerings. Others stand upright, weathered but intact. They point both downward—toward what’s buried—and upward, toward something just out of reach.

These works ask what’s worth preserving, and how we make meaning from what remains.